What about Video Classes?
A reader asks about video classes—do they work? Do you know any good ones?
A reader asks about video classes—do they work? Do you know any good ones?
Capturing emotion on video means making very specific observations—and leaving room for people to feel. Here's what I mean:
If your job is to shoot school programs and please parents, can you do both? Or either? Here's how to shoot school video that doesn't suck.
What your video should cost depends on a lot of stuff. Here's how to sort it all out.
Can you get decent video sound in a noisy room, like a nightclub? It's tough — but here's one secret way they do it in the movies.
The way you compose your shots tells the viewer where you want them to look in your video — key to telling a clear story. Here's how:
Video is a portfolio business. To judge whether you're worthy, people want to see what you've done. Demo reels can help you—or kill you.
In Part 2 of our 10 Must-Do Tips for Video Interviews, your interview should be exciting, interesting, and intriguing.
You can start out wanting to shoot kids and animals with your video camera and end up wanting to use something else. Or follow these tips...
Specificity is your new best friend. Why? Because any video can be improved by being more specific about what it is you’re shooting.
I often recommend that people shoot short shots. Then I get letters arguing about the rule of shooting short shots, and whether you can ever break it. My answer: There are no rules in creativity.
When you pick up a video camera, do you sometimes feel like you're the center of attention? Don't be too shy to shoot with these tips.